It takes a village to create a film — a team of hardworking and dedicated workers who pour out their heart and soul along with blood, sweat, and tears. Sleepless nights, body aches, tight deadlines, and high stress levels are dealt with during pre-production, production, and post-production as well as in distribution and exhibition.

We all heaved a sigh of relief when 2020 finally ended and welcomed the new year with optimism and hope. While the new normal of the previous year has carried over and will most likely happen for the rest of the year, there is a stronger determination now in the Filipino film industry to overcome the Covid-19 crisis.

Without a doubt, the year 2020 and this pandemic have forever changed our way of life. Who would have thought that we would reach this situation wherein most cinemas are still closed, we cannot roam around our favorite malls, or even leave our house without fear?

At the heels of the conclusion of the national celebration of the Philippine Cinema Centennial, we reflect on the eventful path that brought us to this state. We remember those who blazed the trail that we are gainfully treading on. This industry has strength, dignity, and promise because of people who have risen above and beyond their artistry to make it so.

The cinema experience has changed in recent years because of the decline of movie-going audiences and the burgeoning of online platforms. And this year, it was further altered drastically with the closure of movie theaters worldwide due to the Covid-19 pandemic.

“Philippine Cinema is dominated by women.” I will never forget hearing this when we hosted a Panel Discussion in Osaka, Japan which featured women filmmakers in Philippine Cinema. Sari Dalena, filmmaker and then head of UP Film Institute, went on to present how in the past 100 years of Philippine Cinema, women have been among the trailblazers and leaders of the Filipino film industry.

Transitioning from a traditional film festival to a full online execution is definitely a test of adaptability, but Filipino film festival organizers and filmmakers are always up for a challenge. This year has put the industry to the test, and I am proud of the successful online staging of some of the country’s top film fests.

In going online with the Pista ng Pelikulang Pilipino (PPP), the Film Development Council of the Philippines (FDCP) takes full advantage of its new platform as it expanded its usual 8- to 10-film lineup for the festival to a whopping 170 films for a run of more than three weeks.

It’s the second day of the 4th Pista ng Pelikulang Pilipino (PPP), and we have more than a month to celebrate the diversity, ingenuity, resilience and longevity of Philippine Cinema. Yes, the PPP4 now has a total of 44 days, and it runs from October 31 to December 13.

Witnessing audiences in international film festivals appreciate Filipino films has been a source of joy for me and my team at the Film Development Council of the Philippines (FDCP).